

We use Royal Mail First Class for UK deliveries and standard Air Mail for all other territories, very large orders will usually be sent via parcelforce.
#Deja vu memphis free#
For all other territories packaging is free and postage is charged on a weight basis. 24 Preview The Goatdancers advert - The Goatdancers.23 Preview Flying Horse Of Louisiana (live) - Knowbody Else.22 Preview Dancing Girl - The 1st Century.21 Preview We're In Town - The Goatdancers.20 Preview Old Man Of Time - The Wallabys.19 Preview If You're Thinking - Greg McCarley.17 Preview Ticket To Ride - Mother Roses.16 Preview I Need Love - The Poor Little Rich Kids.15 Preview Rockin' In The Same Old Boat - Triple X.13 Preview Free Singer's Island - Knowbody Else.11 Preview Crazy Man's Woman - Greg McCarley.10 Preview Eat Me Alive - The Goatdancers.09 Preview Come On Along And Dream - The Poor Little Rich Kids.08 Preview Hark The Child - Changin' Tymes.07 Preview Shoo Shoo Shoo Fly - Greg McCarley.04 Preview Secret Storm - Knowbody Else.03 Preview Blue Music Box - Changin' Tymes.02 Preview For Your Love - The Honey Jug.01 Preview Rubber Rapper - Sealing Smoke.File alongside our “Thank You Friends – The Ardent Records Story” (CDWIK2 273) as another instalment of delicious Memphis madness. Local notables such as the Poor Little Rich Kids, 1 st Century and Goatdancers share the tracklisting, the sound quality is excellent, and the detailed liner notes spill the beans on this fascinating tributary of the city’s musical legacy.

While the vast majority of tracks on “Feeling High” have not been issued before, their inspired lunacy and a shared willingness to push the envelope make the recorded evidence very special indeed. There is a palpable air of chaos about much of what Parks produced, which explains why he was unable to place a lot of it at the time – but in hindsight it’s a remarkable cache of work.ĭickinson and Parks represent the outer edge of the Memphis music scene in those years. Parks’ production work included Changin’ Tymes, Mother Roses and Triple X, featuring future country star Gus Hardin, as well as crazoid studio-only experiments such as ‘Rubber Rapper’ and ‘Shoo Shoo Shoo Fly’. In contrast, James Parks was a young wet-behind-the-ears punk who took over the control room at uncle Stan Kesler’s Sounds Of Memphis studio in 1968, bringing in his freak friends from counterculture hotspots such as the Bitter Lemon. The bands he produced there include the pyjama-wearing Kinks-ish Wallabys of Jackson, Mississippi and psychedelic hillbillies Knowbody Else, later to become famous as Black Oak Arkansas. “Whenever anybody came into Ardent, it was obvious who was going to do the crazy stuff, ”Dickinson recounted to me several years ago. Some excerpts slipped out at the time on obscure singles on Stax and elsewhere, such as the absurd version of ‘For Your Love’ by Honey Jug. However, his rarely-discussed apprenticeship as a producer-engineer at Ardent Studios in the late 1960s made Dickinson responsible for many of the wildest and wackiest sessions ever held in Memphis. With a decades-long career as an iconoclastic musical polymath, Jim Dickinson needs little introduction. Big Beat’s “Feeling High – The Psychedelic Sound Of Memphis” shines a welcome light on this long-neglected area, focusing on the years 1967-1969 and principally on the work of two renowned Memphis mavericks. Lest we forget, the city boasted a healthy rock scene well into the 1960s and 1970s, but few retrospectives have documented Memphis music in the psychedelic era when, as a major recording centre, it was the nexus not just for local freaks, but those from neighbouring Arkansas, Mississippi and beyond. My colleagues and I have been digging deep in various Memphian vaults over the past decade, but the focus up until now has largely been soul and R&B. Memphis is well known as the birthplace of the blues, the fount of southern soul and the locale that begat rock’n’roll.
